Myrza de Muynck founded her practice after graduating from the MA Fashion program at Central Saint Martins in London in 2011. She creates small editions and one-off ceramic objects, artworks, and garments that merge digital processes with traditional handcraft. Working between the UK countryside, an hour outside of London, and the Dutch seaside town of Goes, she draws inspiration from serene, natural surroundings.

 

Her textile designs and embroideries are often intentionally naïve, raw, and intuitive. Many of her artworks begin with cut-up “ready-made” garments and fragments of cloth, reassembled into compositions that expose intimate, human qualities. By bending garments into images on canvas, she transforms clothing—normally an exterior layer meant to conceal, into a medium that reveals something naked, vulnerable, and internal, shaping an intimate visual language.Her ceramic objects and accessories, often crafted in porcelain, carry the same delicacy. By combining 3D ceramic printing with hand-forming techniques, she explores the tension between mechanical precision and the malleability of clay. The printed threadlike extrusions resemble embroidery in clay, resulting in soft, organic shapes and colors that evoke a feminine and encoded intimacy.

 

Myrza has collaborated with Bottega Veneta, Martine Rose, Orson & Bodil, and worked as an embroiderer and artist’s assistant for Tracey Emin and Michael Raedecker.

 

Her work has appeared in Vogue, The Face, TANK, POP, Purple, Marfa Journal, Wallpaper, Dazed & Confused, and Girls Like Us.Her pieces are available through selected stockists, and she welcomes commissions and collaborations.